led-lightbox Art work - Patrick Koster is contemporary visual artist based in Amsterdam, Netherlands

Gallery Fontgana Amsterdam, exhibition, 2017, Doppelgänger 1, 2/3, 2014, h153,5 x w129 cm (h60.4 x w50.8 in), collage of adhesive film on drawing polyester on lightbox

1 april 2022

Fontana Gallery | exhibition

At the exhibition at Fontana gallery, Patrick Koster shows works from the Doppelgänger series. Doppelgänger 1 and 2 from a series of 3 both from 2014. They are collage artworks on a lightbox. The art works are made in the technique adhesive film on drawing polyester on light box. The works have th

KunstRai-Art Amsterdam 2017, Gallery Fontana solo booth, The Fugitive - triptych, 2014, h165,1 x w325 cm, collage of adhesive film on drawing polyester on lightbox

KunstRai-Art Amsterdam 2017, Gallery Fontana solo booth, Le Massacre des Innocents, 2016, h 200 cm x w 116,7 cm, collage of adhesive film on drawing polyester mounted on lightbox

KunstRai-Art Amsterdam 2017, Gallery Fontana solo booth, St. Elmo’s Fire on the Ridges, 2017, h 138,5 cm x w 118,9 cm, collage of adhesive film on drawing polyester on lightbox

KunstRai-Art Amsterdam 2017, Gallery Fontana solo booth, Hanna & Evy in Delft, 1944 1/2, 2015, h 157,6 x w 81,6 cm, collage of adhesive film on drawing polyester on lightbox

10 maart 2022

Gallery, Exhibition, Art fair

Art Amsterdam | Gallery Fontana | solo booth

Patrick Koster's artworks were on display at the KunstRai, Art Amsterdam in a solo booth at Fontana Gallery at this 33rd edition of the well-known international art fair for contemporary autonomous art in the Netherlands.

Art The Hague, 2017, Gallery Fontana booth, Doppelgänger 1/3, 2014, h 153,5 x w 129 cm (h 60.4 x w 50.8 in), collage of adhesive film on drawing polyester on lightbox

Art The Hague, 2017, Gallery Fonytana booth, Hanna & Evy in Delft, 1944 1, ser 2, 2015, h157,6 x w81,6 cm, collage of adhesive film on drawing polyester on lightbox

7 maart 2022

Exhibition, Art fair, Gallery

Art The Hague | Fontana Gallery

Artworks Patrick Koster on view at Art The Hague 2017 at the booth of Gallery Fontana from Wednesday 4 to Sunday 8 October 2017 at Fokker terminal, The Hague, The Netherlands. One of the works that can be seen at Art The Hague is Hanna and Evy in Delft, 1944 I, series # 2, made in 2015. The artwork

Bijlmer Years 1989-1997, Koningshoef 6, photo 19, collab Thérèse Zoekende, h120 x w120 cm, pinhole photograph on lightbox

7 februari 2022

Exhibition, Lightbox

Ode to the Bijlmer

The Bijlmer will be 50 years old in 2018. CBK Zuidoost is developing a group exhibition “Ode To The Bijlmer” with 11 artists. In the exhibition the artists reflect in their work on the urban development of the Bijlmer and the current reforms.

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | video work: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm.

Exhibition overview of Ode To The Bijlmer at CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box, 120x120 cm | 3x video stills.

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box, 120x120 cm | 3x video stills.

Exhibition overview of Ode To The Bijlmer in CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 2x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min | video: Kraaiennest Parking, 5:23 min | pinhole photo on lightbox, 120x120 cm | 3x video stills.

Exhibition overview of Ode To The Bijlmer at CBK Zuidoost | multimedia project Bijlmer Years 1989-1997 | pinhole photography on light box 4x 60x60 cm | video work: This Is The Flat I Have Lived In, 34:59 min.

Ode to the Bijlmer. 2018, show, CBK Southeast, Bijlmer Years 1989-1997, Koningshoef 6, h60 x w60 cm each, pinhole photo on lightbox

1 februari 2022

Arts, Exhibition

Bijlmer Years 1989-1997

Twenty-nine years ago, as students at the Rietveld Academy, they came to live in this district. After nine years, urban renewal forced them to leave. Their earlier Bijlmer habitat, was former subject matter for their artistic work. It had a significant influence on their personal and artistic develo

Newspaper Het Parool wrote a major article about the exhibition Ode aan de Bijlmer in CBK Zuidoost, in which the project Bijlmer Years by the artists Thérèse Zoekende and Patrick Koster were reviewed.

7 januari 2022

Arts, Review

Het Parool Review – Ode To The Bijlmer

Bijlmer nostalgia is complicated, as appeared last Saturday at the opening of the exhibition Ode to the Bijlmer. The dingy photos and videos that Patrick Koster (1967) and Thérèse Zoekde (1972) made in the Bijlmermeer in the years 1989-1997 confirm the image of a scary neighborhood where danger lu

CODA Museum, Beauty of the Battle exhibition overview | FLTR Fugitive , triptych, 2014, Les plaintes d'un Icare, 2016-2017, h136 x w202,5 cm, Parable of the Sower 1, 2, series #14, 2017, Patrick Koster

Beauty of the Battle at CODA museum, exhibition overview : The Fugitive - triptych, 2014, h 165,1 cm x w 325 cm, collage of adhesive film on drawing polyester on lightbox.

CODA Museum, Beauty of the Battle exhibition overview | FLTR Les plaintes d'un Icare, 2016-2017, Parable of the Sower 1 and 2, series #14, 2017, Patrick Koster

Parable of the Sower 1/14, Watchdog, 2017, h 180 cm x w 136 cm (h 70.9 in x w 53.5 in), collage of adhesive film on drawing polyester on lightbox.

Catalog for the exhibition Beauty of the Battle in Museum Coda in Apeldoorn with works by visual artist Patrick Koster

Newspaper article in De Stentor Apeldoorn in which the exhibition Beauty of the Battle in Museum Coda in Apeldoorn is discussed and visual artist Patrick Koster is interviewed.

Invitation to the Beauty of the Battle exhibition in Museum CODA Apeldoorn, which included works by contemporary visual artist Patrick Koster.

1 januari 2022

Lightbox, News, Museum, Catalog

Coda Museum: Beauty Of The Battle

Violence, struggle and hatred often evoke disgust. Despite, the combat and its beauty fascinate. For example, if it is depicted in a dance performance or in an art work. In Beauty of the Battle, CODA Museum Apeldoorn confronts the visitor with this contrast. The exhibition explores the boundaries of

patrick.hattrick

106 13.324

ᡣ𐭩 Contemp. Artist ๑ Amsterdam ༺
空手道 Founder ⨳ karate sensei @kiclub.cool
#visualart #nft #contemporaryart #collageart #martialarts#artist#digitalart

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Artwork for a Special New Girls-Karate Class at my dojo ki club.cool @kiclub.cool in Amsterdam: “Samurette’s Girls-Karate Dojo” (collaboration with Thérèse Zoekende @theresezoekende).
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Registrations for this class will open soon and the class is expected to start early 2025. The artwork features our Dojo Cat “Samurette” who previously appeared in one of my portraits.
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You can see her if you swipe through the images in this post. There is also the intention to make a sticker of this design.
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#popart #tiger #digitalart #fight #japanese #design #shotokantiger #digital #art #karate #drawing #ki #girl #martialarts #japan #nihon #fight #power #move #hello #cat #dojo #persian #girlpower #colors #amsterdam #herengracht #street #streetart #sticker

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Artwork for a Special New Girls-Karate Class at my dojo ki club.cool @kiclub.cool in Amsterdam: “Samurette’s Girls-Karate Dojo” (collaboration with Thérèse Zoekende @theresezoekende).
✿
Registrations for this class will open soon and the class is expected to start early 2025. The artwork features our Dojo Cat “Samurette” who previously appeared in one of my portraits.
✿
You can see her if you swipe through the images in this post. There is also the intention to make a sticker of this design.
✿
✿
#popart #tiger #digitalart #fight #japanese #design #shotokantiger #digital #art #karate #drawing #ki #girl #martialarts #japan #nihon #fight #power #move #hello #cat #dojo #persian #girlpower #colors #amsterdam #herengracht #street #streetart #sticker

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(✿ ♥‿♥)
New Project: “Hello Tiger!🐯” An artistic collaboration of ki club.cool teachers, martial- and visual artists @theresezoekende and @patrick.hattrick
“Hello Tiger!🐯 is the first art work of a series of Digital Tiger Drawings highly inspired by the fabulous 18th century Japanese art of tiger drawing.
“Hello Tiger!🐯” is inspired by the painting “Tiger Cleaning its Paw” of Matsui Keichū (1785-1819), ink and color on paper, 133.5 x 58.4 cm, Minneapolis Institute of Art.
“Tiger Cleaning Its Paw”
is a mesmerizing artwork that depicts a majestic tiger in its natural habitat, meticulously grooming its paw. The tiger is depicted in a state of repose, with its paw held up to its face as it carefully licks and cleans each individual claw.
✿
Samurai warriors
in the Medieval and Modern period loved art that depicted tigers. Tigers, for them, was a symbol of strength, which they highly valued.
✿
Shotokan karate clubs
honor the tiger symbol. The Shotokan tiger first appeared on a book that Gichin Funakoshi -the founder of Shotokan karate- wrote back in 1922. The artist Hoan Kusugi and karate student of Funakoshi enticed Funakoshi, to write a book about Karate, Hoan Kosugi told Funakoshi that if he would write the book, Kosugi would design it and provide a painting for the cover. So, when Gichin Funakoshi produced the book, Hoan Kosugi produced the now famous Shotokan tiger.
His idea for the tiger came from the expression “Tora no maki.” Tora no maki, in Japanese tradition, is the official written document of an art or system, which is used as the definitive reference source for that particular art. Since no books had ever been written about Karate, Hoan Kosugi told Funakoshi that his book was the “tora no maki” of Karate, and since “tora” also means “tiger”, he designed the tiger as a representation of Funakoshi’s art. 👍
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#popart #tiger #digitalart #tigerpainting #japanese #graphicdesign #shotokantiger #digital #art #karate #drawing #ki #dojo #martialarts #japan #nihon #fight #power #move #hello #cat #lick #claws #paws #colors #amsterdam #herengracht #street #streetart #sticker

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Open

(✿ ♥‿♥)
New Project: “Hello Tiger!🐯” An artistic collaboration of ki club.cool teachers, martial- and visual artists @theresezoekende and @patrick.hattrick
“Hello Tiger!🐯 is the first art work of a series of Digital Tiger Drawings highly inspired by the fabulous 18th century Japanese art of tiger drawing.
“Hello Tiger!🐯” is inspired by the painting “Tiger Cleaning its Paw” of Matsui Keichū (1785-1819), ink and color on paper, 133.5 x 58.4 cm, Minneapolis Institute of Art.
“Tiger Cleaning Its Paw”
is a mesmerizing artwork that depicts a majestic tiger in its natural habitat, meticulously grooming its paw. The tiger is depicted in a state of repose, with its paw held up to its face as it carefully licks and cleans each individual claw.
✿
Samurai warriors
in the Medieval and Modern period loved art that depicted tigers. Tigers, for them, was a symbol of strength, which they highly valued.
✿
Shotokan karate clubs
honor the tiger symbol. The Shotokan tiger first appeared on a book that Gichin Funakoshi -the founder of Shotokan karate- wrote back in 1922. The artist Hoan Kusugi and karate student of Funakoshi enticed Funakoshi, to write a book about Karate, Hoan Kosugi told Funakoshi that if he would write the book, Kosugi would design it and provide a painting for the cover. So, when Gichin Funakoshi produced the book, Hoan Kosugi produced the now famous Shotokan tiger.
His idea for the tiger came from the expression “Tora no maki.” Tora no maki, in Japanese tradition, is the official written document of an art or system, which is used as the definitive reference source for that particular art. Since no books had ever been written about Karate, Hoan Kosugi told Funakoshi that his book was the “tora no maki” of Karate, and since “tora” also means “tiger”, he designed the tiger as a representation of Funakoshi’s art. 👍
✿
✿
#popart #tiger #digitalart #tigerpainting #japanese #graphicdesign #shotokantiger #digital #art #karate #drawing #ki #dojo #martialarts #japan #nihon #fight #power #move #hello #cat #lick #claws #paws #colors #amsterdam #herengracht #street #streetart #sticker

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La Fête Galante 9, Lovers in a Parkland at Sunset, 2024, h 50 x w 36 cm (h 19.8 x w 14.2 inch), analog, hand-cut collage, colored pencil, felt-tip pen, paper, print on paper
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ᕕ(⌐■_■)ᕗ ♪♬
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Mezzetino was a comedy character, based on Harlequin. Introvert and with a melancholy air, he tunes his guitar, knowing that his serenading will mean nothing to the lovers and serve only to heighten his own sense of longing as he gazes upon them.
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See also https://www.patrickkoster.nl/artwork/fete-galante/
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#fete #vivre #galant #rococo #visualart #collage #guitar #lifestyle #sense #cosmopolitan #introvert #light #lightness #lightnessofbeing #lover #paper #papercut #papercraft #melancholy #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #dancer #dance #stage #colors

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La Fête Galante 9, Lovers in a Parkland at Sunset, 2024, h 50 x w 36 cm (h 19.8 x w 14.2 inch), analog, hand-cut collage, colored pencil, felt-tip pen, paper, print on paper
.
.
ᕕ(⌐■_■)ᕗ ♪♬
.
.
Mezzetino was a comedy character, based on Harlequin. Introvert and with a melancholy air, he tunes his guitar, knowing that his serenading will mean nothing to the lovers and serve only to heighten his own sense of longing as he gazes upon them.
.
See also https://www.patrickkoster.nl/artwork/fete-galante/
.
#fete #vivre #galant #rococo #visualart #collage #guitar #lifestyle #sense #cosmopolitan #introvert #light #lightness #lightnessofbeing #lover #paper #papercut #papercraft #melancholy #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #dancer #dance #stage #colors

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Here you see another work from my sketchboard.
In the meantime I am still working on the fascinating La Fête Galante series.
In this post I focus on the dance, one of the staples of this genre.

🪩

The painter Nicolas Lancret painted a very beautiful painting around 1730 entitled La Camargo Dancing. Nicolas Lancret was one of Antoine Watteau’s most talented followers and helped to disseminate the taste for fête-galante subjects in the eighteenth century.
🕺🏻💃
Lancret, like Watteau, was often inspired by the stage, and the female dancer depicted here is Marie-Anne de Cupis de Camargo, a ballet star of the Paris Opéra. La Camargo is dressed in a white gown embroidered with flowers, suggesting a pastoral opera. She is gracefully poised and her partner’s gestures subtly mirror her movements. Camargo, who was immensely talented, expanded the repertoire of eighteenth-century ballet with new steps that encouraged active footwork. To facilitate her movements, she shortened her skirts and may have been one of the first dancers to wear ballet slippers.

🪩

See also https://www.patrickkoster.nl/artwork/fete-galante/

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#fete #vivre #galant #rococo #visualart #collage #studio #lifestyle #cosmo #cosmopolitan #sketchbook #light #lightness #lightnessofbeing #sketching #paper #papercut #papercraft #theatre #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #dancer #dance #stage #colors
🐰

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Open

Here you see another work from my sketchboard.
In the meantime I am still working on the fascinating La Fête Galante series.
In this post I focus on the dance, one of the staples of this genre.

🪩

The painter Nicolas Lancret painted a very beautiful painting around 1730 entitled La Camargo Dancing. Nicolas Lancret was one of Antoine Watteau’s most talented followers and helped to disseminate the taste for fête-galante subjects in the eighteenth century.
🕺🏻💃
Lancret, like Watteau, was often inspired by the stage, and the female dancer depicted here is Marie-Anne de Cupis de Camargo, a ballet star of the Paris Opéra. La Camargo is dressed in a white gown embroidered with flowers, suggesting a pastoral opera. She is gracefully poised and her partner’s gestures subtly mirror her movements. Camargo, who was immensely talented, expanded the repertoire of eighteenth-century ballet with new steps that encouraged active footwork. To facilitate her movements, she shortened her skirts and may have been one of the first dancers to wear ballet slippers.

🪩

See also https://www.patrickkoster.nl/artwork/fete-galante/

🪩

#fete #vivre #galant #rococo #visualart #collage #studio #lifestyle #cosmo #cosmopolitan #sketchbook #light #lightness #lightnessofbeing #sketching #paper #papercut #papercraft #theatre #theater #instacollage #contemporarycollage #cosplay #costume #vieenrose #pop #dancer #dance #stage #colors
🐰

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